The Structure of the Artistic Text by Yuri M. Lotman, , available at Book Depository with free delivery worldwide. SLA VIC CONTRIBUTIONS. JURIJ LOTMAN. THE STRUCTURE OF. THE ARTISTIC TEXT. Translated- from the Russian. by Gail Lenhoff ana Ronald Vroon. MICHIGAN SLA VIC CONTRIBUTIONS JURIJ LOTMAN THE STRUCTURE OF THE ARTISTIC TEXT Translated” from the Russian by Gail Lenhoff and Ronald V .
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Google Books — Loading In he received the Gold Medal of Philology, the highest award for a philological scholar. Sign relation relational complex. He was a member of the Estonian Academy of Sciences.
As a result of their collective work, they established a theoretical framework around the semiotics of culture. Lotman graduated from secondary school in with excellent marks and was admitted to Leningrad State University lotmxn having to structkre any exams.
This page was last edited on 9 Septemberat Lotmaan studied the theory of cultureRussian literature, history, semiotics and semiology general theories of signs and sign systemssemiotics of cinema, arts, literature, robotics, etc.
Whatever we perceive in the text is perceived only by contrast and difference: The Structure of the Artistic Text. The literary work, indeed, is a continual generating and violating of expectations, a complex interplay of the regular and the random, norms and deviations, routinized patterns and dramatic defamiliarizations.
His elder sister Inna Obraztsova graduated from Leningrad Conservatory and became a composer and lecturer arttistic musical theory, his younger sister Victoria Lotman was a prominent cardiologist, and his third sister Lidia Lotman was a scholar of Russian literature of the second half of the 19th century on staff at the Institute for Russian Literature of the Lotan Academy of Science Pushkin House she lived in Saint-Petersburg.
In other projects Wikimedia Commons. His professors at university were the renowned lecturers and academicians — GukovskyAzadovskyTomashevsky and Propp.
Lotman Jurij. The Structure of the Artistic Text [PDF] – Все для студента
Lotman has learned the lessons of reception theory well. Add to Your books. For more help see the Common Knowledge help page.
In poetry, it is the nature of the signifier, the patterns of sound and rhythm set up by the marks on the page themselves, which determines what is signified. You must log in to edit Common Knowledge data.
Catalog Record: The structure of the artistic text | Hathi Trust Digital Library
His archive which is now kept at the University of Tallinn and at the Structrue University Library which includes his correspondence with a number of Russian intellectuals, is immense. He was the founder of the Tartu—Moscow Semiotic School. An individual word may relate to another word through assonance, to another through syntactical equivalence, to yet another through morphological parallelism, and so on.
Lotman Jurij. The Structure of the Artistic Text
Differences and parallelisms in the text are themselves relative terms, and can only be perceived og relation to one another. Poetry activates the full body of the signifier, presses the word to work to its utmost under the intense pressure of surrounding words, and so to release its richest potential. There he studied philology, which was a choice he made due to Lidia Lotman’s university friends actually he attended university lectures in philology whilst he was still at secondary school.
Wikipedia in English None. No current Talk conversations about this book. A poem, in fact, can only be re-read, not read, since some of its structures can only be perceived retrospectively. They have three sons:. Sign up for LibraryThing to find out whether you’ll like this book. AER 1 Box 1 cultural studies 2 Fink 1 kultuuriteooria 1 literary criticism 2 literary studies 2 literary artiistic 3 literature 1 Literaturwissenschaft 1 media 1 narratology 1 NIX 1 poetics 1 semiootika 3 semiotics 4 semiotics zrtistic 1 structuralism 3 Strukturanalyse 1 Studium 1 text analysis 1 UTB 1 utopia 1.
Yuri Mikhailovich Lotman Russian: Retrieved from ” https: Despite this unique verbal richness, Arristic does not consider that poetry or literature can be defined by their inherent linguistic properties.