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They have produced a play by Griselda Gambaro, a contemporary Argentine playwright whose work is too rarely seen in the United States. The play, La malasangre Bad Blooddebuted in [End Page ] Buenos Aires in toward the end of the Dirty War—when nearly 30, citizens were kidnapped, tortured, and murdered by the military government. The play is a brilliantly constructed chess game with characters who alternate between oppressor and oppressed. In contrasting scenes, Gambaro trenchantly displays the irony and cruelty of power relationships.
The Padre, named Benigno, alluding both to gambaeo fascist Benito Mussolini and gfiselda ironically to his own harmful nature, hires a hunchbacked tutor, Rafael, to instruct his spoiled and haughty daughter, Dolores.
The two young people eventually fall in love and plan their escape. However, the Madre informs the Padre of their stratagem. The Padre orders Rafael’s death, and upon viewing his lifeless body, Dolores vows revenge.
Within this familial microcosm, Gambaro denounces state terrorism and the ignorance of a population that blinds itself to atrocity.
The play reminds us that though we malasangte perfectly recapture the mood of s Argentina, bloody and battered by dictatorship, we can, in the current world, still feel Argentina’s pain as it undergoes yet another political, social, and economic crisis.
Gambaro Griselda La Malasangre
The tortured nature of their relationship is exemplified in the scene where Dolores provokes Rafael to hit her by repeatedly cursing him as servile.
After he does indeed strike girselda, she calls her father Benigno played by Mauricio Bustamente, who [End Giselda ] easily moves between the character’s authoritative and comedic features, making Benigno a sadistic prankster.
In a terrifying instance of dangerous games, she plays the role of Daddy’s little girl while her father decides how to punish Rafael. They joke childishly with each other, with Dolores eventually sitting on her father’s lap while he bounces her on his knee.
The superficially frolicsome act horrifies with its sexual suggestion of incest and underlying violence. The tone of playfulness shifts abruptly to naked violence as Rafael is dragged away by the father’s lackey, Fermin Dario Tangelsona creepy, fawning malsangre.
With a startling light change, Dolores alters expression and stares at her father, now girselda of the real pain that she has effected. The production offers many similarly vivid and tense scenes of cruelty and aggression.
His sadistic character is captured convincingly by the attractive actor Gerardo Gudino. Dolores’s father ignores this sexual assault. Further adding to the disturbing nature of the scene, the father orders Fermin to dance with Rafael, to humiliate the already victimized tutor.
In addition, Dolores suffers malaasngre watching this decent man abused. The scene ends in a hellish, blackish red light, foreshadowing the blood that will soon run. The father, with his bright red jacket, angular face, and slim body, takes on the grotesque hue of a devil.
Theatricality becomes a form of torture for Dolores, and perhaps, the audience. On the debit side, the production often does not go far enough in its depictions mxlasangre violence. Gambaro’s dramaturgy is one of extremes. The terror often overwhelms in its intensity and precision, explaining Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
Gambaro Griselda La Malasangre : Free Download, Borrow, and Streaming : Internet Archive
In lieu of an abstract, here is a brief excerpt of the content: Though the production, by the Mexican director Alejandra Orozco, downplays rgiselda political for the personal, the many confrontations in the play strikingly display the power relationships.
In order for the play to work dramatically, Dolores and Rafael must have a chemistry that bespeaks love and hate simultaneously.
The actors, Anilu Pardo and Gonzalo Villanueva, perform with passion and conviction, making the relationship believable, and ultimately tragic.
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